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本片获得1998年奥斯卡最佳影片以及最佳导演,最佳摄影,最佳艺术指导,最佳原创歌曲
Titanic is a myth, and Jack and Rose's love is a myth within a myth. People yearn for or seek the power of this myth in this imaginary blueprint of love. Although rose and Jack met, fell in love and ended in just three days, they were remembered by the audience for a decade or more. It also reflects, in part, the desire of modern people, accustomed to the ordinary life, for romance or romance.
The love story is narrated by a 101-year-old woman, so she evokes the urge of almost everyone on earth, regardless of age, to reminisce about their youth. At the cinema in 1997, everyone had no qualms about treating Titanic as their film. When "Titanic" once again entered the normal repeated living space, the audience's heart suddenly had the impulse to beat violently. We may not be able to hold on to too many of life's memories, but at least for a few hours of watching the movie, we were able to recapture some of that song-and-cry love.
There is no doubt that a phenomenon, from the beginning of "Titanic", ten years of cold and heat, the miracle is not extinguished. Classic lines resonate with many, "my heart will go on" the streets are well, after the big director made it as the first opponent, often see wreck bands and even "on women and children first" lively discussion - is better than the movie film, jack and rose love story, however, beyond the scope of the film, gleaming in all fields.
In 1997, people looked around for a pay phone to make a call. Ten years later, they were still on the go with their cell phones. 10 years ago it was always shy to talk about love, 10 years later it was awkward to talk about love. It's easy to list how much the world has changed in 10 years, but love on the Titanic hasn't landed yet. Forgive me for scoring another insane 10 in the face of the divine gift that years have unlocked, if only by chance, all my human senses. (Evaluation by The Beijing Times)
Cameron's films have always exported the charming values of resistance, freedom and equality, and Jack's counterattack to the upper class is handsome, elegant and neither overbearing nor overbearing. He was more cultured than they were, not like in Chinese writing, when the little guy was in a hurry, he would cry out in exasperation, "Go to hell, Uncle!" And he left. So Cameron's films, while not impressive in terms of plot, have the power of classics, and it is natural for them to be a global hit. It's the same with Titanic. They're both getaway trips, just like love.
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